"Delia whistled a different tune--what tune could that be?"
The Annotated "Stagger Lee"
An installment in The Annotated Grateful Dead Lyrics.
By David Dodd
"Stagger Lee"
Words by Robert Hunter; music by Jerry Garcia
Copyright Ice Nine Publishing; used by permission.
Lyrics omitted. The annotations below are reproduced by permission of David Dodd; the song lyrics themselves are copyrighted and are not reproduced here. Read them at the official source: dead.net/songs.
"Stagger Lee"
Musical details:
- Key: F (Bridge in G)
- Time signature: Cut time
- Chords used: F, C, B-flat, A A-flat, G7, A7, Em, D, G,
- Songbook availability:
Recorded on
First performance: August 30, 1978, at Red Rocks Amphitheatre in
Morrison, Colorado. "Stagger Lee" appeared in the first set,
between "Mama Tried" and "Looks Like Rain." The show also
featured the first "I Need A Miracle" and "If I Had the World to
Give." The song has had a fairly consistent place in the
repertoire over the years, disappearing now and then for extended
periods.
In Robert Hunter's Box of Rain, the lyric
is entitled "Delia Delyon and Staggerlee."
There are a number of tunes entitled "Stagger Lee" which have been recorded
over the years. They all derive from a series of tales and songs in African-
American folklore.
See Tony Kullen's essay, available at Alex Allan's site: Stagger Lee: A Historical Look at the Urban Legend for a detailed look at the topic.
One serious attempt to ascertain the possible historical existence of
Stacker Lee was made, in an article by Richard E. Buehler, "Stacker Lee:
a Partial Investigation into the Historicity of a Negro Murder Ballad,"
published in the Keystone Folklore Quarterly in the Fall,
1967 issue (pp. 187-191.) Buehler identifies a Stacker Lee who was a
Confederate officer and subsequently an upstanding member of the community,
and who is unlikely to have been the model for the badman of legend. And
while Buehler suggests several lines for further research, no one seems
to have taken up the task--notably the possibility that the key to the
historicity of the ballad may lie in the name "Billy Lyons," rather than
in Stacker Lee. This historical Stacker Lee unearthed by Buehler was the
member of the Lee family of steamboat owners, and he points out that
"Many of the Lee Line boats were named for members of the Lee family, and
one of them was the Stacker Lee (hence the name of Miss Ferber's
showboat [immortalized in her book, Show Boat]). This boat
was commissioned in 1906 and went down in 1916." (p. 188)
Blair Jackson, in his magazine "Golden Road" said this about "Stagger Lee":
""Stagger Lee," who pops on the Shakedown album is a fabled character
who some suggest dates back to the Civil War. Variously called "Stag-O-Lee," "Stack-O-Lee,"
and other names, the song is about a scoundrel who killed Billy Lyons because he stole
Stag's Stetson hat. Stag-O-Lee was upset about the death, though--because he failed
to shoot Billy right between the eyes. Songwriters over the years have elaborated on the
story, bringing in the bad man's deals with the devil, etc. It's been recorded often, by
everyone from Mississippi John Hurt (his 1928 version is one of the first on record) to
Professor Longhair and Doc and Merle Watson."
The Digital Tradition folk song database has two versions of the song.
Here's a partial list of other "Stagger Lee"'s, in alphabetical order by performer:
- Archibald: Imperial X5358.
- Bechet, Sidney: "Old Stack O'Lee Blues" on The best of Sidney Bechet (Blue Note, CDP 7243 8 28891 2 0, 1994)
- Bookbinder, Roy: "Stack O Lee" on Ragtime millionaire
(Yellow Bee Productions, 5BG-2023, 1977)
- Brozman, Bob: "Stack o Lee Aloha" on A truckload of blues
(Rounder, CD 3119, 1992)
- Calloway, Cab: "Stack O' Lee Blues" on Cab Calloway and His Orchestra, 1931-1932 (Classics 526, 1990)
- Clayton, Paul: Bloody Ballads. Riverside RLP 12-615.
- Dodds, Johnny: "Stack O'Lee Blues" on side B of "Melancholy" (Decca, 1676, 1938)
- Domino, Fats: "Stack & Billy" on Let's play (Imperial, LP-9065, 196?)
- Dylan, Bob: "Stack a Lee" on World gone wrong (Columbia, CK 57590, 1993)
- Edwards, Cliff: "Stack O' Lee, Part 1" and "Stack O' Lee, Part 2" (ca. 1924)
on I'm a bear in a lady's boudoir (Yazoo, L-1047, 1975)
- English, Logan: Riverside 12-643.
- Fuller, Jesse: "Stagolee" on Jazz, Folk Songs, Spirituals and Blues (Original Blues Classics, 2530 564 2, 1958)
- The Green Mountain Boys: "Stagolee" on The Green Mountain Boys
(Green Mountain Records, GMS 1053, 197?)
- Guthrie, Woody: "Stagolee" on Bound For Glory (Smithsonian/Folkways Records, 02481, 1992, originally recorded 1956)
- Houston, Cisco: "Stagolee" on Hard traveling
(Folkways, FA 2042, 1954)
- Hull, Papa Harvey, Long "Cleve" Reed, and the Down Home Boys: "Original Stack O'Lee Blues" (ca. 1927) on The Songster tradition:
complete recorded works in chronological order (1927-1935) (Document
Records, DOCD-5045, 1991)
- Hurt, Mississippi John: "Stack O' Lee Blues" on 1928 sessions (Yazoo, 1065, 1990)
- Hutchinson, Frank: on American Folk Music, vol. 1: Ballads. (Folkways, FP 251, 1927)
- Johnson, Tex: "Stack o Lee" on Gunfighter ballads
(Promenade, 2239, 1961)
- Lester, Julius: "Stagolee" on Julius Lester accompanying himself on the guitar
(Vanguard, VRS-9199, 1965)
- Lewis, Furry: "Billy Lyons and Stack O'Lee" on Furry Lewis (1927-1929): complete recorded works in chronological order
(Document Records, DOCD-5004, 1990) Recording also includes "Kassie Jones part
1 and 2.
- Lomax, Alan (compiler): "Stackerlee," by an unknown performer on Negro prison songs from the Mississippi State Penitentiary
(Tradition, TLP 1020, 195?) "Recorded by Alan Lomax in 1947 at the Mississippi State Penitentiary at Parchman, Mississippi"
- Lomax, Alan: Listen to Our Story. BR-1024.
- McCurdy, Ed: Elektra 108.
- Memphis Slim: "Stack Alee" on Broken soul blues (United Artists, UAL3137, 1961)
- New Lost City Ramblers: "Stackerlee" on The New Lost City Ramblers
(Folkways Records, FA 2399, 1962)
- Noble, Ray: "Stack O' Lee" (ca. 1935) on Ray Noble and his American Dance Orchestra (Jazz Archives, JA-22, 1975)
- Paley, Tom: "Stackerlee" on Old Tom Moore and more (Global Village, C 309, 1991)
- Price, Lloyd: "Stagger Lee" by Harold Logan and Lloyd Price (based on traditional material) (1958)
- Rainey, Ma: "Stack O'Lee Blues" on Ma Rainey's Black Bottom, and onThe complete Madam Gertrude
"Ma" Rainey mastertakes' collection, 1923/28 (King Jazz, KJ-182 FS, 1994)
- Senter, Boyd: "Original Stack O'Lee Blues" on Solos and Senterpedes: 1927-1928
(Harlequin, HQ 2044, 1986)
- Sol Hoopii's Novelty Trio: "Stack O'Lee Blues" on B side of
"Farewell Blues" (Columbia, 797-D, 1926)
- Stuart, Alice: "Stackerlee" on All the good times
(Arhoolie, F 4002, 1964)
- Travis, Merle: "Stack O'Lee" on Rough, Rowdy and Blue CMH, CMH-C-6262, 1986)
- Turner, Titus: "Return of Stagolee"
(King, 45-5186, 1957?)
- The Washingtonians (a pseudonym for Duke Ellington and his Orchestra): "Stack O'Lee Blues" on b side of "Red head blues"
(Velvet Tone, 1601-V, 1927)
- Watson, Doc: "Stack O'Lee" on Ballads from Deep Gap (Vanguard, VMD-6576, 1988)
- Wheeler, Mary (compiler): "Stacker Lee" (Bertha Wenzel, Singer; Bill Small, guitar)
on Folk songs of the river
(Century Custom Recording Service, 20074, ca. 1982)
Mary Wheeler's collected version of the tune is included in her collection of songs
Roustabout Songs: a Collection of Ohio River Valley Songs:
Stacker Lee is lookin' fo' de bully, de bully caint be foun',
Now we gonna walk dis levee roun', roun', Gonna walk dis levee roun',
I'm lookin' fo' de bully of dis town!
I'm lookin' fo' de bully, de bully mus' be foun'!
I'm lookin' fo' de bully boys, to lay de body down,
I'm lookin' fo' de bully of dis town!
Dice references are plentiful in Grateful Dead lyrics, being part of the overall
gambling motif.
The archetypal western hat. Patrick Bousquet's article, "The
Hat of the West: John B. and his Stetson," tells the history of the hat,
and of its creator, John B. Stetson. Stetson was born in 1830 to a "master hatmaker, Stephen
Stetson, of Orange, New Jersey." He invented what is now thought of as the classic Stetson
about 1850, "...a large hat with a broad brim for protection from the sun and rain, and it
had a high crown." (p. 19) When he went into production with this hat, he christened it
"Boss of the Plains."
Botkin has this story:
"The Magic Hat
You see, it happened like this: Stack was crazy about Stetson
hats; specially them great big five gallon hats with dimples in
the crown. And he had a whole row of em hangin on pegs and you
could look at em along the wall of his rickety shanty on Market
Street in St. Louis, where he lived with his woman, Stack o'
Dollars, that I'm goin to tell you about later.
He had a dimpled and lemon colored yaller hat, and a black Sunday
one with two white eyes to wear to funerals with his new brogans,
and lots of other ones, all kinds and colors.
But his favorite one was an oxblood magic hat that folks claim he
made from the raw hide of a man-eatin panther that the devil had
skinned alive. And like I told you, how come Stack to have it was
because he had sold his soul to old Scratch. You see, Satan heard
about Stack's weakness, so he met him that dark night and took
him into the grave yahd where he coaxed him into tradin his soul,
promisin him he could do all kinds of magic and devilish things
long as he wore that oxblood Stetson and didn't let it get away
from him. And that's the way the devil fixed it so when Stack did
lose it he would lose his head, and kill a good citizen, and run
right smack into his doom." (p. 123)
Blend:
5 oz gin
5 heaping teaspoons sugar
juice of a lemon
one egg
one tablespoon Cointreau
one teaspoon orange rind or one teaspoon orange flower water
Add 4 ice cubes--mix till they're gone
Add equal amount of milk and mix.
Serve in chilled glasses.
Recipe courtesy Roger Felton.
The title of an old hymn (1859) by Sarah Adams and Lowell Mason, Famously played by the ship's band on the Titanic as the boat sank.
Nearer, my God, to Thee,
Nearer to Thee!
E'en tho' it be a cross
That raiseth me;
Still all my song shall be---
Nearer, my God, to Thee,
Nearer, my God, to Thee,
Nearer to Thee!
Tho' like the wanderer,
The sun goes down,
Darkness be over me,
My rest a stone;
Yet in my dreams
I'd be Nearer, my God, to Thee,
Nearer, my God, to Thee,
Nearer to Thee!
There let my way appear,
Steps unto heaven;
All that Thou sendest me,
In mercy given;
Angels to beckon me
Nearer, my God, to Thee,
Nearer, my God, to Thee,
Nearer to Thee!
Then with my waking thoughts,
Bright with thy praise,
Out of my stony griefs,
Bethel I'll raise;
So by my woes[?] to be,
Nearer, my God, to Thee,
Nearer, my God, to Thee,
Nearer to Thee!
And if on joyful wing,
Cleaving the sky,
Sun, moon, and stars forgot,
Upward I fly;
Still all my song shall be---
Nearer, my God, to Thee,
Nearer, my God, to Thee,
Nearer to Thee!
First posted: 1996
Last revised: April 11, 2007